Monday, July 1, 2013

Chinese drawing: part one

Chinese drawing: part one
chinese art design
Image by anselm23
This is the right-hand side of the two-page spread in my Moleskine notebook, turned reporter style. I don't think it turned out too badly. Staedtler triplus fineliner pen in a Moleskine notebook, using ideas from the Mustard Seed Garden Manual of Painting, a Chinese classic on painting landscapes and rock-forms.


Chinese Horizontal emphasis
chinese art design
Image by Untitled blue
Chinese Architecture

The most important is the emphasis on the horizontal axis, in particular the construction of a heavy platform and a large roof that floats over this base, with the vertical walls not as well emphasized. This contrasts Western architecture, which tends to grow in height and depth. Chinese architecture stresses the visual impact of the width of the buildings. The halls and palaces in the Forbidden City, for example, have rather low ceilings when compared to equivalent stately buildings in the West, but their external appearances suggest the all-embracing nature of imperial China. This of course does not apply to pagodas, which, in any case, are relatively rare. These ideas have found their way into modern Western architecture, for example through the work of Jørn Utzon


SC05804 Chinese Art
chinese art design
Image by Bisayan lady


Chinese Arts 03
chinese art design
Image by University of Salford
Students from the University of Salford's School of Art & Design have worked with the Wai Yin Chinese Women's Society and Chinese Arts Centre in Manchester to create a Messenger of Luck Dragon which will be on show until 13 March.

www.salford.ac.uk/news/details/1077


Chinese Arts 02
chinese art design
Image by University of Salford
Students from the University of Salford's School of Art & Design have worked with the Wai Yin Chinese Women's Society and Chinese Arts Centre in Manchester to create a Messenger of Luck Dragon which will be on show until 13 March.

www.salford.ac.uk/news/details/1077

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